Frank Gehry House in Santa Monica First Residence

Table Of Content

• Frank Sinatra captivated the world through music, movies & sheer magnetism
• Pretty, thin, young and single? Check out these sexist stewardess job requirements of the ’50s & ’60s
• “Few films, in my own experience, have bristled with so many problems”: Michael Balcon on Scott of the Antarctic
• Watch film
• In praise of Hausu, the world’s most demented haunted house film

You stand on cool, dark ceramic tile that has the sleek look of polished leather. Denver homemakers wanted both elegance and practicality, which guided our choices of materials. Surfaces are hardy; upholstery fabrics, special-treated for stain resistance; wallpapers, wipeable. Using every area of the house to its fullest, outside and in, was one requirement of the Women’s Auxiliary. Plaid and flowered sheets are used in girl’s room — on walls and laminated window shade, and also on bed. The wall unit has storage space as well as a drop-down desk for correspondence and family bookkeeping.

Frank Sinatra captivated the world through music, movies & sheer magnetism

Draperies and cafe curtains in brilliant orange create a magnificent window wall in living room (right) without shutting out light or view. Elongated sofa is in soft-textured velvet, side chairs in resilient Naugahyde. The living room, with its dark ceiling beans and rich oak-veneer paneling (opposite), is designed as the natural gathering spot when you are having friends over. You enter the house through the front door, painted an unforgettable bright blue, outside and in.

Pretty, thin, young and single? Check out these sexist stewardess job requirements of the ’50s & ’60s

But time has allowed us a clearer perspective on Obayashi’s vision, and the young generation that so loved the film in its infancy is key to this new understanding. House is a classical gothic romance repackaged in a counterintuitive wrapper—its VFX orgy intense to near-illegibility, its sense of humor a bit puerile, and most crucially, its soundtrack a mélange of the nostalgic and the funky, the classical and the experimental. Obayashi’s collaborator Asei Kobayashi wrote the score, but Kobayashi conceded early on that he was “too old” to do justice to a firecracker like House, so the two called in 25-year-old Mickie Yoshino and his band Godiego to actually arrange the tunes.

“Few films, in my own experience, have bristled with so many problems”: Michael Balcon on Scott of the Antarctic

The “love” that keeps Auntie infinitely suspended in the house, and the youth and beauty foregone as she sat waiting for that love, are illusions. The adventurous horizons and unblemished romance promised to a post-war generation, on which she feeds to sustain her bitter unlife, are illusions. What Obayashi allows us to do through the soundtrack is cope with the eternal war between these opposed illusions, our fears and our futures, by reconciling them rather than turning away from them completely.

One would be going to the bathroom or wanting to get ready alone, while the other one needed to get in. If you read this blog post on the first exterior ideas, you read where I really wanted to add a window to the upper floor in-between the two bedrooms, but it didn’t work with the current plans. So we went back to the drawing board and came up with this idea for the floor plan….. Walls of Masonite (dark) and vinyl-coated wallpaper (pale) — and flooring of cork-effect cushioned vinyl — are enduring assets, as is scratch-resistant “Denim” vinyl on chest fronts.

Weird Watch: 'House' (1977) - Fandom

Weird Watch: 'House' ( .

Posted: Sun, 29 May 2016 07:00:00 GMT [source]

The encounter is initially disregarded by the other girls, but over time they also begin to encounter other supernatural traps throughout the house. Toho Studios approached Obayashi with the suggestion to make a film like Jaws. Influenced by ideas from his daughter Chigumi, he developed ideas for a script by Chiho Katsura. After the project was green-lit, it was put on hold for two years as no one at Toho wanted to direct it. However, Obayashi kept promoting the film until the studio allowed him to direct it himself. House was filmed on one of Toho’s largest sets, where Obayashi shot the film without a storyboard over a period of about two months.

'Survival House 1977' an open door on gay history - SFGATE

'Survival House 1977' an open door on gay history.

Posted: Sat, 23 Apr 2011 07:00:00 GMT [source]

The most expensive trial in the history of the California legal system at that time followed, with Bianchi and Buono eventually being found guilty of those crimes and sentenced to life imprisonment. The kitchen itself — designed around and island cooktop, with two wall ovens only one step away — is master-planned from top to bottom, with acoustical ceiling tile, diffused lighting from two recessed panels and vinyl flooring. Plants beckon at every turn, for our inviting entry is at the very heart of the house. Immediately accessible (seen from left, above) are dining, family and living rooms.

Auntie, a retired piano teacher who lost her betrothed to World War II, works in tandem with the house to possess Gorgeous and systematically devour her friends, so that they might both feed on the joyous youth that the war stole from her so many years before. This simple story, relatable in theory to all ages, can be hard to make heads or tails of amidst the daunting volume and furor of Obayashi’s aesthetic choices. The result plays like a head-on collision between The Evil Dead (1981) and Yellow Submarine (1968) – a fevered flight of horror-fantasy like no other.

Like many a good ghost story, House reflects the ways in which past events can reverberate into the present and, on some level, this is a story about seven happy-go-lucky teenagers being starkly confronted with the wartime trauma their parents’ generation endured. While House is inarguably a work of dense visual and technical complexity, its narrative may well be deceptive in its simplicity. The reading is interrupted by the giant-sized head of Gorgeous, who reveals that her aunt died many years ago while waiting for her fiancé to return from World War II. As Kung Fu lunges into a flying kick, she is eaten by a possessed light fixture.

The master bedroom and bath, plus adjoining study/guest room, create a separate wing designed to give the adults in the family a private domain. Large pass-through connects one end of the kitchen to the family room (right). White brick-patterned vinyl flooring banded with bright blue strips echoes vivacious flowered wallpaper (above). The presence of the leitmotif acts, one more time, as our guiding star here. But reality itself is subject to distortion; those things once thought unreal often come storming into our lives without a moment’s notice, like an atomic cotton-candy bloom turning hundreds of thousands of lives into dust.

He poked glass structures through the original house’s exterior to open the interior space, as seen in the accompanying drawing. As a result, a large glass cube appeared lodged between the house’s old and new fabric, flooding the kitchen with light and framing views of the sky and trees above. Though it was renovated more than ten years after Gehry opened his architecture firm, the residence was the architect’s first work to attract widespread attention. As his home was also his first project for which he did not have a client to please, giving him the freedom to explore ideas about different materials and take significant risks.

The resulting modest and casual appearance makes the house appear “thrown together,” an effect that required a great deal of work and planning to realize. The interior went through a considerable amount of changes on both of its two levels. In some places, it was stripped to reveal the framing, exposing the joists and wood studs. It was repaired according to the addition, showing both old and new elements. This is especially evident when walking through the house’s rooms and passing by new doors placed by Gehry and older ones originally in the house.

Frank Gehry is a renowned Canadian-American architect known for his imaginative and unconventional designs. He was born in 1929 in Toronto, Canada, and later moved to Los Angeles, where he established his architectural practice, Gehry Partners. Gehry’s work is characterized by his use of unique and complex forms, often incorporating unexpected materials such as metal and glass, which often challenge traditional architectural conventions. Some of his most famous works include the Guggenheim Museum Bilbao in Spain, the Walt Disney Concert Hall in Los Angeles, and the Louis Vuitton Foundation in Paris. Gehry is widely regarded as one of the most influential architects of our time, and his work continues to inspire new generations of architects and designers. Skylights and glass floors allowed light from above to filter down into the house’s lower level, filling it with light.

Therefore, the story of love must be told many times so that the spirits of lovers may live forever. It’s no coincidence that the music is so closely tied to the moods of the girls. House’s soundtrack had been finished a year before Obayashi shot the film, and when he found himself struggling to give effective verbal direction to the novice actresses, he played the soundtrack for them as they acted out the scenes.

Orange polished-cotton draperies, pretty needlepoint, afghans and patchwork add bright accents. Bookcase wall is a splendid entertainment center — for TV and stereo as well as books. The dining room is patterned with an overscaled paisley wallpaper and matching fabric that have just enough color and impact to complement the wood tones of table and chairs and the rustic ceramic tile floor. House tells the story of high school ingenue Gorgeous, who embarks on an ill-fated summer vacation with her six friends to her aunt’s lonely house in the countryside.

Dark paneled walls and warm brick fireplace wall create an inviting background for traditional furnishings updated with lively plaids and prints. By design, this spacious one-level house opens graciously from a center hall that links two carefully planned rectangular living areas. Even after the flesh perishes, one can live in the hearts of others together with the feelings one has for them.